Description
‘Robert continues his engagement with the idea of jewellery as evidence of a construct of cultural history which confuses myth and reality, as a metaphor for an imagined, subversive version of what might have been. His highly finished work is characterised above all by superb craftsmanship.’—Dr. Gerard Vaughan
Author information
![Robert Baines]()
Robert Baines has profoundly shaped Australian jewellery, object-making and international historical scholarship. His works challenge our conception of the world as much as they delight with their technical brilliance. Baines is an exhibiting artist-goldsmith and his work is held in many prestigious collections across the globe, including The Metropolitan Museum of Art, New York; Musee des Arts Dé coratifs, Paris; Schmuckmuseum, Pforzheim; Victoria and Albert Museum, London; Museum für Kunst und Gewerbe, Hamburg; and the National Gallery of Australia. An emeritus professor at RMIT University, Baines also teaches gold and silversmithing.
Baines’s publications include: Partyline (RMIT Press, 2004); Treasure room Australia – Schatzkammer Australien (ASP, 2009); More Amazing Schmuck Stories (ASP, 2010); and Australian Jewellery Topos (ASP, 2010).
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