Description
From the small but influential Jane Street Theatre in Randwick to the Royal Court Theatre, the Bankside Globe, the esteemed Old Vic and the National Theatre of Great Britain, in London, the author worked on several significant 20th-century productions before returning to Australia, where he converted a deconsecrated church complex in Sydney into a 200 seat venue for avant-garde performances. Curtain Calls relates the author’s journey with insights into the productions and behind-the-scenes anecdotes about the participating actors and production personnel.
Author information
![Jeremy Gadd]()
Jeremy Gadd grew up in Armidale, New South Wales. After graduating from the National Institute of Dramatic Art, he worked extensively in professional theatre in Australia and the United Kingdom before concentrating on his writing, which includes plays, the publication of novels and short stories as well as poetry. He has also written dialogue for a dance performed by The Sydney Dance Company at the Opera House and he collaborated on one of the first livre d’ artistes to be produced in the United Kingdom since William Morris, a work that is now in rare book collections. He later earned Master of Arts with Honours and PhD degrees from the University of New England and is a Writing Fellow of the Fellowship of Australian Writers (NSW).
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